廊橋遺夢(mèng)經(jīng)典臺(tái)詞中英文
《廊橋遺夢(mèng)》講了一個(gè)令人扼腕長嘆的愛情故事。弗朗西斯卡是一名家庭主婦，是兩個(gè)孩子的母親，從意大利遠(yuǎn)嫁美國，為了丈夫和家庭，放棄了少女時(shí)代的夢(mèng)想，而這夢(mèng)想?yún)s讓她無時(shí)無刻不心生幽怨，但她只能在周而復(fù)始中操持家務(wù)，相夫教子。
丈夫和孩子參加博覽會(huì)出門四天，她感覺難得的清靜。正在這時(shí)，與來自華盛頓的幾乎跑遍世界的地理雜志攝影師羅伯特不期而遇，并一見鐘情墜入愛河。他們?nèi)缒z似漆的廝守了四天。他喚醒了她少女時(shí)代的所有夢(mèng)想，喚醒了她長期被壓抑的激情......
可是，殘酷的現(xiàn)實(shí)就擺在面前：丈夫和孩子就要回來了。他們?nèi)缁鸬膼矍樵摵稳ズ螐模乔鼜睦碇沁€是情感?是屈從責(zé)任還是愛?
配音演員幽怨而傷感的演繹，讓下面的對(duì)白聽起來蕩氣回腸，催人淚下......為他們發(fā)自心靈深處的愛情，為他們?cè)诶碇敲媲巴纯嗟膾暝?.....
她選擇了責(zé)任。
四天，好像他們的生命都為這四天而來。在以后的日子里，他們都在不盡的思念中度過......
廊橋遺夢(mèng)經(jīng)典臺(tái)詞(中英文對(duì)白)
nobody understands when a woman makes a choice to marry and have children, in one way her life begins, but in another way, it stops. you build a life of details, and you just stop and stay steady, so that your children can move. and when they leave,they take your life of details with them. you are expected to move on again, but you don't remember what it was that moved you, because no one's asked you in so long. not even yourself.
大家都不了解，女人決定結(jié)婚生子時(shí)，她的生命一方面開始了,另一方面卻結(jié)束了。生活開始充斥瑣碎的事，你停下腳步，呆在原地，好讓你的孩子能夠任意來去。他們離開后，你的生活就空了。你應(yīng)該再度向前，但你已忘了如何邁步。因?yàn)殚L久以來，都沒有人叫你動(dòng)。你自己也忘了要?jiǎng)印?/p>
now i want to keep it forever，i want to love you the way i do now for the rest of my life.
我希望永遠(yuǎn)保留著份愛，我希望終生都能這樣的愛你。
i can't make an entier life disappear to start a new one.
我不能讓生命就此消逝無蹤，重頭再來。
all i can do is try to hold on to both of us somewhere inside of me.
我只能試著在心靈深處緊緊的守候著你。
i'm coming to you as you coming to me for so long. although we haven't know each other before the date.
我要向你走去，你向我走來已經(jīng)很久了。雖然我們相會(huì)之前誰也不知道對(duì)方的存在。
this kind of certainty comes once in a lifetime.
這樣確切的愛，一生只有一次。
seems right now, that all i have done in my life was making my way here to you.
我今天才知道，我之所以漂泊就是在向你靠近。
the true love belongs to the adults.
真正的愛情是屬于成年人的。
love is magic, but without responsibility,its magic will gone.
愛情是有魔力的，但如果放棄責(zé)任，這份魔力就會(huì)消失。
love won't obey our expectation. its mystery is pure and absolute.
愛情并不遵從我們的想象。愛情的神秘在于它的純潔與純粹。
